{"id":35,"date":"2015-02-27T16:04:39","date_gmt":"2015-02-27T14:04:39","guid":{"rendered":"http:\/\/ozgurtuncer.com\/blog\/?page_id=35"},"modified":"2018-11-12T10:40:38","modified_gmt":"2018-11-12T08:40:38","slug":"yorumlar","status":"publish","type":"page","link":"http:\/\/ozgurtuncer.com\/blog\/?page_id=35&lang=tr_TR","title":{"rendered":"Yorumlar"},"content":{"rendered":"<blockquote><p>Piyanist ve \u00d6\u011fretim \u00dcyesi Say\u0131n \u00d6zg\u00fcr TUNCER, \u00fcst d\u00fczey sanatsal \u00e7al\u0131\u015fmalar\u0131yla, bende oldu\u011fu gibi, sanat \u00e7evrelerinde de b\u00fcy\u00fck hayranl\u0131k ve sayg\u0131nl\u0131k kazanm\u0131\u015ft\u0131r. Ondan dinledi\u011fim \u00f6zellikle Chopin ve Rachmaninov&#8217;un eserlerinde ula\u015ft\u0131\u011f\u0131 y\u00fcksek m\u00fczikal ve teknik d\u00fczey, ba\u015far\u0131lar\u0131n\u0131n g\u00f6stergesidir. Say\u0131n TUNCER ayr\u0131ca konservatuvar\u0131m\u0131zda yeti\u015ftirdi\u011fi piyano \u00f6\u011frencilerini yeti\u015ftirirken, kendi solistlik ser\u00fcveninin ba\u015far\u0131l\u0131 izlerini onlara aktarmada yine ba\u015far\u0131 sa\u011fl\u0131yor.<\/p><\/blockquote>\n<p style=\"text-align: right;\">Prof. Mesut \u0130KTU<br \/>\nMimar Sinan G\u00fczel Sanatlar \u00dcniversitesi<br \/>\nDevlet Konservatuvar\u0131 M\u00fcd\u00fcr\u00fc (2008)<\/p>\n<blockquote><p>\u00d6zg\u00fcr Tuncer \u00e7ok ba\u015far\u0131l\u0131 bir \u00f6\u011frencilik ge\u00e7mi\u015fini geride b\u0131rakarak, m\u00fczi\u011fin \u00e7e\u015fitli alanlar\u0131nda, gerek \u00e7alarak ve \u00f6\u011freterek, gerekse yazarak m\u00fczik ya\u015fam\u0131m\u0131za damgas\u0131n\u0131 vurmaya devam ediyor. S\u0131k s\u0131k \u00f6nemli konser salonlar\u0131nda, renkli ve \u00e7etin konser programlar\u0131yla sahneye \u00e7\u0131karak, sa\u011flam piyano tekni\u011fi ve \u00fcst\u00fcn m\u00fczikalitesiyle dinleyiciyi etkiliyor. Konservatuvarda ve sahnelerde edindi\u011fi deneyim ve birikimlerini sevgiyle ve sab\u0131rla piyano \u00f6\u011frencileriyle payla\u015f\u0131yor.<\/p><\/blockquote>\n<p style=\"text-align: right;\">Prof. Seher Tanr\u0131yar<br \/>\nMimar Sinan G\u00fczel Sanatlar \u00dcniversitesi<br \/>\nDevlet Konservatuvar\u0131 Piyano Anasanat Dal\u0131 Ba\u015fkan\u0131 (2008)<\/p>\n<blockquote><p>\u00d6zg\u00fcr Tuncer, Ulvi Cemal Erkin\u2019in piyano kon\u00e7ertosu\u2019ndaki gizemli i\u00e7eri\u011fi yakalayarak, yumu\u015fak bir tu\u015fe ile kendine \u00f6zg\u00fc romantik bir anlat\u0131m getirdi\u2026<\/p><\/blockquote>\n<p style=\"text-align: right;\">Evin \u0130lyaso\u011flu<br \/>\nCumhuriyet Gazetesi<\/p>\n<blockquote><p>Resitalinde Liszt\u2019in 6 numaral\u0131 macar rapsodisi\u2019ni seslendiren \u00d6zg\u00fcr Tuncer eserin dinamizmini gayet iyi yans\u0131tarak rapsodi\u2019nin sonlar\u0131nda yer alan h\u0131zl\u0131 oktavlar\u0131 \u00e7ok ba\u015far\u0131l\u0131 bi\u00e7imde icra etti. Skrjabin\u2019in d\u00f6rt et\u00fcd\u2019\u00fcnde ise Tuncer, Skrjabin t\u0131n\u0131s\u0131n\u0131 \u00e7ok g\u00fczel yakalad\u0131, bu ba\u015far\u0131y\u0131 elde etmesinde pedalleri \u00f6zenli kullanmas\u0131 b\u00fcy\u00fck rol oynad\u0131.<\/p><\/blockquote>\n<p style=\"text-align: right;\">\u0130lke Boran<br \/>\nRadikal Gazetesi<\/p>\n<blockquote><p>3. Afyon Klasik M\u00fczik Festivali 5-11 Nisan tarihleri aras\u0131nda ger\u00e7ekle\u015fti. Her ak\u015fam ayr\u0131 bir konser dinleyen Afyon\u2019lular klasik m\u00fczi\u011fe doydu. 8 Nisan\u2019da Mozart, Chopin, Mendelssohn, Erkin, Grieg ve Gershwin\u2019in eserlerinden olu\u015fan a\u00e7\u0131klamal\u0131 bir resital sunan piyanist \u00d6zg\u00fcr Tuncer, dinleyicileri co\u015fturdu.<\/p><\/blockquote>\n<p style=\"text-align: right;\">Posta Gazetesi<\/p>\n<blockquote><p>Her zaman ya\u015famdaki sanat\u00e7\u0131 duru\u015funa sayg\u0131 g\u00f6sterdi\u011fim bir m\u00fczisyen ve akademisyen olan \u00d6zg\u00fcr Tuncer\u2019in, Akbank Sanat \u2018ta seslendirmi\u015f oldu\u011fu Chopin\u2019in 20 no\u2019lu Nocturne\u2019deki ba\u015far\u0131l\u0131 yorumu ola\u011fan\u00fcst\u00fcyd\u00fc. Ayr\u0131ca Chopin\u2019in 2 no\u2019lu piyano sonat\u0131n\u2019da da yapt\u0131\u011f\u0131 m\u00fczik, duygu dolu bir \u00f6yk\u00fc gibiydi.Teknik kusursuzdu. Her zaman ayakta alk\u0131\u015flanan Tuncer\u2019in g\u00fcn\u00fcm\u00fcz en iyi yorumcular\u0131ndan oldu\u011funu g\u00f6r\u00fcyoruz.<\/p><\/blockquote>\n<p style=\"text-align: right;\">\u00a0 Canan Aydo\u011fan<br \/>\nAkbank Sanat Organizasyon Y\u00f6neticisi<\/p>\n<blockquote><p>\u00d6zg\u00fcr Tuncer\u2019in resitalini dinlerken bir \u00e7ok eserde, eski efsane piyanistlerin yakalad\u0131\u011f\u0131 t\u0131ls\u0131mlar\u0131 hissetmek \u00e7ok g\u00fczeldi. Piyanistli\u011findeki s\u00fcrekli ilerleyen ustal\u0131k kendisini her dinleyi\u015fimde belirgin bir \u015fekilde ortaya \u00e7\u0131k\u0131yor\u2026<\/p><\/blockquote>\n<p style=\"text-align: right;\">Leyla P\u0131nar<br \/>\nKlavsenist\/\u00d6\u011fretim \u00dcyesi<\/p>\n<blockquote><p>Resitali\u2019ni dinledi\u011fimde \u00e7ald\u0131\u011f\u0131 besteciler i\u00e7inde beni en \u00e7ok etkileyen Chopin oldu. Gerek Chopin\u2019de kulland\u0131\u011f\u0131 tu\u015fe gerekse m\u00fczikalitesi, onun tam bir Chopin yorumcusu oldu\u011funun kan\u0131t\u0131d\u0131r\u2026<\/p><\/blockquote>\n<p style=\"text-align: right;\">Prof. Mihail Chumburidze<br \/>\nPiyanist\/\u00d6\u011fretim \u00dcyesi<\/p>\n","protected":false},"excerpt":{"rendered":"<blockquote><p>Piyanist ve \u00d6\u011fretim \u00dcyesi Say\u0131n \u00d6zg\u00fcr TUNCER, \u00fcst d\u00fczey sanatsal \u00e7al\u0131\u015fmalar\u0131yla, bende oldu\u011fu gibi, sanat \u00e7evrelerinde de b\u00fcy\u00fck hayranl\u0131k ve sayg\u0131nl\u0131k kazanm\u0131\u015ft\u0131r. Ondan dinledi\u011fim \u00f6zellikle Chopin ve Rachmaninov&#8217;un eserlerinde ula\u015ft\u0131\u011f\u0131 y&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-35","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/ozgurtuncer.com\/blog?lang=tr_TR%2Findex.php&rest_route=\/wp\/v2\/pages\/35"}],"collection":[{"href":"http:\/\/ozgurtuncer.com\/blog?lang=tr_TR%2Findex.php&rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/ozgurtuncer.com\/blog?lang=tr_TR%2Findex.php&rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/ozgurtuncer.com\/blog?lang=tr_TR%2Findex.php&rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/ozgurtuncer.com\/blog?lang=tr_TR%2Findex.php&rest_route=%2Fwp%2Fv2%2Fcomments&post=35"}],"version-history":[{"count":34,"href":"http:\/\/ozgurtuncer.com\/blog?lang=tr_TR%2Findex.php&rest_route=\/wp\/v2\/pages\/35\/revisions"}],"predecessor-version":[{"id":475,"href":"http:\/\/ozgurtuncer.com\/blog?lang=tr_TR%2Findex.php&rest_route=\/wp\/v2\/pages\/35\/revisions\/475"}],"wp:attachment":[{"href":"http:\/\/ozgurtuncer.com\/blog?lang=tr_TR%2Findex.php&rest_route=%2Fwp%2Fv2%2Fmedia&parent=35"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}