{"id":32,"date":"2015-02-27T14:57:55","date_gmt":"2015-02-27T12:57:55","guid":{"rendered":"http:\/\/ozgurtuncer.com\/blog\/?page_id=32"},"modified":"2025-08-16T16:25:12","modified_gmt":"2025-08-16T13:25:12","slug":"repertuvar","status":"publish","type":"page","link":"http:\/\/ozgurtuncer.com\/blog\/?page_id=32&lang=tr_TR","title":{"rendered":"repertuvar"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-400\" src=\"http:\/\/ozgurtuncer.com\/blog\/wp-content\/uploads\/2015\/02\/DSC_6137-300x201.jpg\" alt=\"DSC_6137\" width=\"300\" height=\"201\" srcset=\"http:\/\/ozgurtuncer.com\/blog\/wp-content\/uploads\/2015\/02\/DSC_6137-300x201.jpg 300w, http:\/\/ozgurtuncer.com\/blog\/wp-content\/uploads\/2015\/02\/DSC_6137-1024x685.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<h3>SOLO ESERLER<\/h3>\n<h4>Bach<\/h4>\n<ul>\n<li>Partita No.2<\/li>\n<li>Toccata No.5<\/li>\n<li>\u0130ngiliz S\u00fciti No.4<\/li>\n<li>Frans\u0131z S\u00fciti No.2, 5<\/li>\n<li>Prel\u00fcd ve F\u00fcg<br \/>\nKitap I: Mi maj, Fa # maj, Sol maj, Si\u266d maj.<br \/>\nKitap II: Mi\u266d maj, \u00a0Fa maj.<\/li>\n<\/ul>\n<h4>Beethoven<\/h4>\n<ul>\n<li>Sonatlar:\u00a0Op. 13,\u00a0Op. 14 No.2,\u00a0Op. 26 \u201cCenaze Mar\u015f\u0131\u201d,<br \/>\nOp. 27 No.2 \u201cAy\u0131\u015f\u0131\u011f\u0131\u201d,\u00a0Op. 31 No.2 \u201cF\u0131rt\u0131na\u201d,\u00a0Op. 49 No.2,<br \/>\nOp. 53 \u201cWaldstein\u201d,\u00a0Op. 57 \u201cAppassionata\u201d,\u00a0Op. 79,<br \/>\nOp. 81a \u201cVeda\u201d, Op.90, Op. 101,\u00a0Op. 109<\/li>\n<\/ul>\n<h4>Brahms<\/h4>\n<ul>\n<li>Piyano Par\u00e7alar\u0131 \u00a0Op.118<\/li>\n<li>Rapsodi Op.79 No.1<\/li>\n<\/ul>\n<h4>Chopin<\/h4>\n<ul>\n<li>Sonat Op.35 No.2 \u201cCenaze Mar\u015f\u0131\u201d<\/li>\n<li>Ballade No.1 Sol min\u00f6r<\/li>\n<li>Barcarolle Op.60<\/li>\n<li>Scherzo No.1,2,3<\/li>\n<li>Nokt\u00fcrnler<br \/>\nOp. 9\/1, 9\/2, 15\/2, 48\/1, 48\/2, 55\/1, 72\/1<br \/>\nOp.extra (Do# min.)<\/li>\n<li>Impromptu\u00a0Op.29 No.1<\/li>\n<li>Fantasie-impromptu\u00a0Op.66<\/li>\n<li>Polonaise Op.26 No.1<\/li>\n<li>Valsler Op.18, Op.34\/1, Op.64\/1, 64\/2, 69\/1, 69\/2, Op.70\/2, No.14 (Op.post.)<\/li>\n<li>Mazurkalar Op.7\/1, Op.7\/3, Op.30\/2, Op.30\/4, Op.33\/1, Op.33\/2 Op.63\/3, Op.67\/2, Op.67\/4, Op.68\/2, Op.68\/3<\/li>\n<li>Et\u00fcdler Op.10\/1,3,5,9, Op.25\/1,2,8,11,12<\/li>\n<\/ul>\n<h4>Debussy<\/h4>\n<ul>\n<li>Prel\u00fcdler:\u00a0Kitap I &#8211; \u2018I, III, IV, \u00a0VIII, IX, XI, XII\u2019<br \/>\nKitap II &#8211; &#8216;VIII, XII&#8217;<\/li>\n<li>L\u2019isle Joyeuse<\/li>\n<li>Reflets dans l\u2019eau<\/li>\n<li>Jardins sous la pluie<\/li>\n<li>Et\u00fct \u201cpour les Octaves\u201d<\/li>\n<li>Pr\u00e9lude &#8220;Pour le piano&#8221;<\/li>\n<li>Clair de Lune &#8220;Suit Bergamasque, no.3&#8221;<\/li>\n<li>Arabesque no.1<\/li>\n<li>Valse (La plus que lente)<\/li>\n<li>Cake Walk &#8220;Children&#8217;s Corner no.6&#8221;<\/li>\n<\/ul>\n<h4>Erkin<\/h4>\n<ul>\n<li>Duyu\u015flar<\/li>\n<li>Be\u015f Damla<\/li>\n<\/ul>\n<h4>Gershwin<\/h4>\n<ul>\n<li>3 Prel\u00fcd,<\/li>\n<li>I got rhythm<\/li>\n<\/ul>\n<h4>Grieg<\/h4>\n<ul>\n<li>5 Lirik Par\u00e7a<\/li>\n<\/ul>\n<h4>Haydn<\/h4>\n<ul>\n<li>Sonatlar:\u00a0Do maj.,\u00a0Sol maj.,\u00a0Mi\u266d maj.<\/li>\n<\/ul>\n<h4>Liszt<\/h4>\n<ul>\n<li>Sonat \u00a0Si min\u00f6r<\/li>\n<li>Mephisto Waltz No.1<\/li>\n<li>Macar Rapsodisi No.6<\/li>\n<li>\u0130spanyol Rapsodisi<\/li>\n<li>Fun\u00e9railles<\/li>\n<li>Liebestr\u00e4ume (A\u015fk R\u00fcyas\u0131)<\/li>\n<li>St. Fran\u00e7ois de Paule marchant sur les flots<\/li>\n<li>Transcendental Et\u00fcd No.7 \u201cEroica\u201d<\/li>\n<\/ul>\n<h4>Mendelssohn<\/h4>\n<ul>\n<li>Rondo capriccioso<\/li>\n<\/ul>\n<h4>Messiaen<\/h4>\n<ul>\n<li>\u201cCanteyodjaya\u201d<\/li>\n<\/ul>\n<h4>Mozart<\/h4>\n<ul>\n<li>Sonatlar: K.No.283 Sol maj.,\u00a0K.No.330 Do maj.,<br \/>\nK.No.332 Fa maj.,\u00a0K.No.545 Do maj.<\/li>\n<li>Varyasyon\u00a0K.No.573 Re maj. \u201cMenuet de Mr.Duport\u201d<\/li>\n<li>Fantazi K.No.397 \u00a0Re min.<\/li>\n<\/ul>\n<h4>Poulenc<\/h4>\n<ul>\n<li>3 Mouvements Perp\u00e9tuels<\/li>\n<\/ul>\n<h4>Rachmaninov<\/h4>\n<ul>\n<li>Etude-Tableaux \u00a0 Op.39 \u00a0No.5<\/li>\n<li>Prel\u00fcdler \u00a0Op.23 No.4,5,7 \u00a0 Op.32 No.1,5,8,10,12 \u00a0 Op.3 No.2<\/li>\n<li>Humoreske \u00a0Op.10 \u00a0No.5<\/li>\n<\/ul>\n<h4>Ravel<\/h4>\n<ul>\n<li>Valses nobles et sentimentales<\/li>\n<li>Sonatin<\/li>\n<li>Noctuelles \u00a0(\u201cMiroirs\u201d dan)<\/li>\n<\/ul>\n<h4>Saygun<\/h4>\n<ul>\n<li>Prel\u00fcdler \u00a0No.4,7,9<\/li>\n<\/ul>\n<h4>Scarlatti<\/h4>\n<ul>\n<li>Sonatlar \u00a0 Re maj, Si min, Do maj, Si\u266d maj, Fa maj, \u00a0Re min.<\/li>\n<\/ul>\n<h4>Sch\u00f6enberg<\/h4>\n<ul>\n<li>6 K\u00fc\u00e7\u00fck Piyano Par\u00e7as\u0131 \u00a0Op.19<\/li>\n<\/ul>\n<h4>Schubert<\/h4>\n<ul>\n<li>Impromptu \u00a0No.3 \u00a0Si\u266d maj.<\/li>\n<li>Sonat \u00a0Op.120<\/li>\n<\/ul>\n<h4>Schumann<\/h4>\n<ul>\n<li>Papillons \u00a0Op.2<\/li>\n<\/ul>\n<h4>Scriabin<\/h4>\n<ul>\n<li>Et\u00fcdler \u00a0 Op.2 No.1,\u00a0Op.8 No.5,\u00a0Op.8 No.12,\u00a0Op.42 No.4,<br \/>\nOp.65 No.2,3<\/li>\n<li>\u00dc\u00e7 par\u00e7a Op.45\/1,2,3<\/li>\n<\/ul>\n<h4>Szymanowski<\/h4>\n<ul>\n<li>Prel\u00fcdler \u00a0Op.1 \u00a0No.1,5,7<\/li>\n<\/ul>\n<h4>\u201c14 T\u00fcrk Bestecisinin Se\u00e7me Eserlerinden<br \/>\nOlu\u015fan Resital Program\u0131\u201d<\/h4>\n<h3>P\u0130YANO KON\u00c7ERTOLARI<\/h3>\n<h4><strong>Bach<\/strong><\/h4>\n<ul>\n<li>Kon\u00e7erto No.5 Fa min\u00f6r<\/li>\n<\/ul>\n<h4><strong>Beethoven<\/strong><\/h4>\n<ul>\n<li>Piyano Kon\u00e7ertosu No.3 Op.37 Do min\u00f6r<\/li>\n<\/ul>\n<h4><strong>Grieg<\/strong><\/h4>\n<ul>\n<li>Piyano Kon\u00e7ertosu La min\u00f6r<\/li>\n<\/ul>\n<h4>Liszt<\/h4>\n<ul>\n<li>Macar Fantazisi<\/li>\n<\/ul>\n<h4><strong>Mozart<\/strong><\/h4>\n<ul>\n<li>Piyano Kon\u00e7ertosu No.20 Re min\u00f6r<\/li>\n<li>Piyano Kon\u00e7ertosu No.21 Do maj\u00f6r<\/li>\n<\/ul>\n<h4><strong>Tchaikowsky<\/strong><\/h4>\n<ul>\n<li>Piyano Kon\u00e7ertosu No.1 Si\u266d min\u00f6r<\/li>\n<\/ul>\n<h4><strong>U.C.Erkin<\/strong><\/h4>\n<ul>\n<li>Piyano Kon\u00e7ertosu<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-400\" src=\"http:\/\/ozgurtuncer.com\/blog\/wp-content\/uploads\/2015\/02\/DSC_6137-300x201.jpg\" alt=\"DSC_6137\" width=\"300\" height=\"201\" srcset=\"http:\/\/ozgurtuncer.com\/blog\/wp-content\/uploads\/2015\/02\/DSC_6137-300x201.jpg 300w, http:\/\/ozgurtuncer.com\/blog\/wp-content\/uploads\/2015\/02\/DSC_6137-1024x685.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<h3>SOLO ESERLER<\/h3>\n<h4>Bach<\/h4>\n<ul>\n<li>Partita No.2<\/li>\n<li>Toccat&#8230;<br \/>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-32","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/ozgurtuncer.com\/blog?lang=tr_TR%2Findex.php&rest_route=\/wp\/v2\/pages\/32"}],"collection":[{"href":"http:\/\/ozgurtuncer.com\/blog?lang=tr_TR%2Findex.php&rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/ozgurtuncer.com\/blog?lang=tr_TR%2Findex.php&rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/ozgurtuncer.com\/blog?lang=tr_TR%2Findex.php&rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/ozgurtuncer.com\/blog?lang=tr_TR%2Findex.php&rest_route=%2Fwp%2Fv2%2Fcomments&post=32"}],"version-history":[{"count":126,"href":"http:\/\/ozgurtuncer.com\/blog?lang=tr_TR%2Findex.php&rest_route=\/wp\/v2\/pages\/32\/revisions"}],"predecessor-version":[{"id":557,"href":"http:\/\/ozgurtuncer.com\/blog?lang=tr_TR%2Findex.php&rest_route=\/wp\/v2\/pages\/32\/revisions\/557"}],"wp:attachment":[{"href":"http:\/\/ozgurtuncer.com\/blog?lang=tr_TR%2Findex.php&rest_route=%2Fwp%2Fv2%2Fmedia&parent=32"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}